NICO VIGLIONE

Remote Mixing and Mastering Engineer

clean sessions, controlled revisions, reliable delivery.

Who I am

I’m Nico Viglione, mixing & mastering engineer, songwriter and musician with two bachelors in audio engineering.

My workflow is detail-oriented: I combine the precision and flexibility of the digital world with the colour of the analog.

Every track is shaped to fit it’s own voice. I treat every track like a bespoke suit: measured, shaped and finished only for you.

Remote work — worldwide delivery.

Selected works

  • VIA CON TE (Italian Pop-Rock)

    Sound Engineer, Composer, Lyricist, Musician, Vocalist

    Listen

  • April Blues (Indie-Pop)

    Mixing and Mastering

    study case

    Listen

  • The Gunman's Trail (Western-Rock)

    Sound Engineer, Composer, Lyricist, Musician, Vocalist

    Listen

  • Keeps Flowing (Hip-Hop)

    Mixing and mastering

    study case

    Listen

  • Like an alien (Punk-Rock)

    Sound Engineer, Composer, Lyricist, Musician, Vocalist

    Listen

The Studio

My studio is built to work fast, avoid errors and keep projects consistent from first mix to final delivery.

Selected studio tools

  • Warm Audio WA-73: harmonic warm body and presence

  • Warm Audio WA-2A: smooth, musical dynamic control

  • Universal Audio Apollo Twin MKII: high-end AD/DA conversion

  • AKG P820 Tube Microphone: natural warmth and detail

  • Radial Engineering Reamp: creative tone shaping

  • Yamaha HS8 Monitors: honest and reliable monitoring

Get in touch!

Use this form to describe your project in detail.

Please include:

  • number of tracks / stems

  • final delivery format

  • references or previous mixes

  • delivery deadline

  • technical constraints (loudness targets, broadcast specs, platform requirements, etc.)

Frequently Asked Questions

  • Send a single ZIP archive containing consolidated multitrack audio files.

    • Start from bar 1
    • Share the same sample rate and bit depth
    • Contain no printed or active processing on individual tracks, buses, or the master bus
    (no EQ, compression, reverb, delay, tuning or limiting ecc…)

    Creative effects essential to the sound can be included on separate printed tracks, alongside the clean version.

    Track naming example:
    01_Kick.wav
    02_Snare.wav

    Please include a text file with:

    • sample rate & bit depth
    • BPM & time signature
    • notes about arrangement, balance preferences or problem areas

  • Each project includes 3 revision rounds.

    Revisions are handled through clearly numbered versions to avoid confusion and keep the process traceable.
    Additional revision rounds can be scheduled and quoted separately.

  • Most projects are completed within 2–3 business days.

    This usually includes:

    • first mix / master pass

    • internal fresh-ears check

    • client feedback round

    • final revisions and delivery

    Large track counts or complex arrangements may require additional time.

  • A 50% deposit is required to start the project.
    The remaining 50% is due before final delivery.

    Invoices are provided for every payment.

  • Reference tracks are always welcome.

    They help define:

    • tonal balance

    • overall loudness perception

    • space, depth and stereo image

    If you already have previous mixes, feel free to include them as a starting point.

  • Please avoid clipping, heavy processing and unnecessary buss compression.
    Flag any track that requires special handling in the project notes.